Saturday, June 26, 2010
Sunday, June 20, 2010
human being Deleuze
Deleuze, that reader and writer on Kant.
His inside out reversal of Kant's a-priori is
a profound humanism. It must be... metaphysical univocal and all
Can it be any other way while avoiding giving anything to the categories
to the correct usage of Kant's faculties?
His inside out reversal of Kant's a-priori is
a profound humanism. It must be... metaphysical univocal and all
Can it be any other way while avoiding giving anything to the categories
to the correct usage of Kant's faculties?
digital/analog interface with water devining
I have basically fallen in love with my little Canon A490 point and shoot
digital. (It even has a spot meter which is more then I can say for my heavier and larger in size Gossen Lunapro light meter.)
Underground where I stand, building the latest still life in the series, my wire
divining rod goes right off the dial meaning I am standing on top of the
Namoi River, an underground rhizome river at the bottom of a valley of a
rhizome volcano, known as the Nandewar Volcano.
Analog/digital and a divining rod made from a steel coat hanger cut to the proportions which humans and rhizome water streams resonate.
digital. (It even has a spot meter which is more then I can say for my heavier and larger in size Gossen Lunapro light meter.)
Underground where I stand, building the latest still life in the series, my wire
divining rod goes right off the dial meaning I am standing on top of the
Namoi River, an underground rhizome river at the bottom of a valley of a
rhizome volcano, known as the Nandewar Volcano.
Analog/digital and a divining rod made from a steel coat hanger cut to the proportions which humans and rhizome water streams resonate.
Monday, June 14, 2010
Deleuze; the absolute idealist
Recently I have been trying to write this blog in clause chains
rather then traditional sentence paragraph structure
and I received a rather interesting comment along the lines
that this is as if it were thought in production
with hesitations gaps and so on
I hope to get the real flesh and blood neural body
contra the ideal bodies of Nietzsche and Deleuze
philosophy's ideal always not there
Yesterday I stumbled onto another naked body
I am an Aspergers in severe neurological pain
rather then the popular idealist misconception
of Aspergers as being low on affect
that is the ideal body
with limited affect
Aspergers is a neurological condition
which in real neural terms is an overloading of distressing affect as if pain is a
brick wall that one is attached to and unable to break from or through
without the use of morphine, which my government denies me
as luck would have it
I have enough valium and codeine to get through to words
and thought
It seems to me here
the body must break away
from philosophy
which itself becomes a brick
wall denying access to the
real neurological flesh and blood body
In this blog I have been playing analog against digital images
and again Deleuze is mistaken in his logic of aligning
the human body with the analog against
the digital societies of control
Rather, the real flesh,
blood and neural body
is the interface
itself
the real flesh and blood
face the Asperger misreads
not because of lack of physical
affect facial expressions, body languages
and so forth but because of a neural
overload in the feedback system
which is the flesh and blood body
Deleuze's alignment of the analog with the human
then his mistaken absolute idealism
rather then traditional sentence paragraph structure
and I received a rather interesting comment along the lines
that this is as if it were thought in production
with hesitations gaps and so on
I hope to get the real flesh and blood neural body
contra the ideal bodies of Nietzsche and Deleuze
philosophy's ideal always not there
Yesterday I stumbled onto another naked body
I am an Aspergers in severe neurological pain
rather then the popular idealist misconception
of Aspergers as being low on affect
that is the ideal body
with limited affect
Aspergers is a neurological condition
which in real neural terms is an overloading of distressing affect as if pain is a
brick wall that one is attached to and unable to break from or through
without the use of morphine, which my government denies me
as luck would have it
I have enough valium and codeine to get through to words
and thought
It seems to me here
the body must break away
from philosophy
which itself becomes a brick
wall denying access to the
real neurological flesh and blood body
In this blog I have been playing analog against digital images
and again Deleuze is mistaken in his logic of aligning
the human body with the analog against
the digital societies of control
Rather, the real flesh,
blood and neural body
is the interface
itself
the real flesh and blood
face the Asperger misreads
not because of lack of physical
affect facial expressions, body languages
and so forth but because of a neural
overload in the feedback system
which is the flesh and blood body
Deleuze's alignment of the analog with the human
then his mistaken absolute idealism
Sunday, June 13, 2010
One dimensional colour
From one dimension, a flat colour without depth, without width, is made
where to look for this illusion
an illusion that appears as space and depth
I rather like this idea from: http://en.wikipedia.org/wiki/Riemann_surface
In mathematics, particularly in complex analysis, a Riemann surface, first studied by and named after Bernhard Riemann, is a one-dimensional complex manifold. Riemann surfaces can be thought of as "deformed versions" of the complex plane: locally near every point they look like patches of the complex plane, but the global topology can be quite different. For example, they can look like a sphere or a torus or a couple of sheets glued together.
where to look for this illusion
an illusion that appears as space and depth
I rather like this idea from: http://en.wikipedia.org/wiki/Riemann_surface
In mathematics, particularly in complex analysis, a Riemann surface, first studied by and named after Bernhard Riemann, is a one-dimensional complex manifold. Riemann surfaces can be thought of as "deformed versions" of the complex plane: locally near every point they look like patches of the complex plane, but the global topology can be quite different. For example, they can look like a sphere or a torus or a couple of sheets glued together.
Saturday, June 12, 2010
latest still life in production
Here is a colour digital snap of the latest still life in production
this has been shot 4x5 monochrome on the view camera
I will post that as soon as the proof print is made in my darkroom
this has been shot 4x5 monochrome on the view camera
I will post that as soon as the proof print is made in my darkroom
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