Monday, May 27, 2013
More BBQ drafts...
...again this works with diagonal links across pages which may be variously several pages apart and for want of a better term, collage narrative, allowing narrative to emerge and thinking of getting rid of sentences as much as possible leaving clause chains...
a computer encrypted plastic
magnetic card opening door
the code being correct lets
us in we may enter now
every floor in this domestic
affair into matters of fact
burning ships sink in harbour
sailing does not have any faith
in a boat pitching and bending
and men overboard are wrapped
in arm's tender care hauled up
with lines to a rescue helicopter
a crack in time on every floor
of this palace a home cold drafts
get in through ice winter nights
running men naked doing things
follow like dogs on a short leash
and targets of weakness sent away
sweet fruits butter mock cream
between layers of a sponge cake
and after fresh butcher red meat
eyes behind dark sun glasses
do not give away heavy stares
of lust for naked male forms
a palace of lust is icy cold
like the lower ranks of hell
and keeping warm is a delight
body against body against body
multiple sexual partners' place
in drawing rooms with cigars
males pull in close together
and contact is made lip to lip
boys have cake and eat it too
proteins artificially made food
for a growing boy created flavours
to make it nice to eat face pulled
not nice is this artificial stuff
one must protest let there be food
one may swallow without distaste
your heart of gold cannot fight you
are better known then your manifest
so may one recreate your fool's gold
yet again again and there is more
with a hot metaphysical being innate
nature crossing real states of affairs
and a purple head slips inside warmth
a strange hollow and empty feeling now
can we be friends again with benefits
how many comes can you do in one night
soft fluffy warm wool on naked flesh
and cold into wilderness an exile
being some kid without any talent
a strong discipline is needed in reply
knocking us off our feet before we flee
are there more tricks up your sleeves
hidden secrets known to be in there
can it be said looking for a way out
and stretch the skin around his balls
hanging loose in hot tropical days
sweat pours from his leaky body
should my kiss for him be shared
my slim waist soft skin teen body
is not so alien and strange as what
what can I say a mystery is made
in these days of my immature youth
my loves letting me down betrayed
Sunday, May 26, 2013
... and 36 more lines for BBQ
These 36 lines felt difficult to write and in the main, very difficult to revise and even after this there will be, of course, more revision and rewriting. The only way I can see into writing this long poem, now over 50 pages, is with fragments like this.
I like the way a blog can be an archeology. What is now appearing is a formal queer structure as diagonal connections across and between lines of text often pages apart. The etymology of queer is a diagonal move across the flow, also a rival.
he erupts in my mouth
sweet fructose semen
a volcano shattering earth's crust
as if a felony for sucking dick
and non-reporting misdemeanours
it was pot no victim this crime
with a magistrate's word and no way out
slowly seeping through cracks
between local area courts
an arrest warrant is made
Ignore the illness & treatment
attack those with diagnosis
heinous serious crime
cannot go unpunished
prosecute misconduct
is there any relief from legal abuse
justice miscarries
a trope of pregnancy
law breaking
being aborted
feminine failure
child birth images of filial inference
rule lives no matter the pain
legal with patriarch law
present search warrant & raid
homophobia is better for pain
the fallacy of right
advert opportunity can fit here
make money with illicit drugs
play on words come hard
go to hole like gay hole
gaol etymology
from old french
Saturday, May 18, 2013
More for the Barbecue book and note on narrative
NOTES ON COLLAGE NARRATIVE
Transitive theories of narrative that are based on a-priori structuralist story and written form, as a theory of narrative or narratology, are unable to provide a pragmatic poetics for collage narrative as immanent to itself. Such narrative practices are not transitive productions in the way the formal story/discourse is set out by structuralist narratology.
Despite claims to the contrary, structuralist narratology cannot account for the immanent appearance of narratives and those narratives which can be said to be experimental and modernist, in a way that allows a pragmatics and poetic practices. This inability is so since lyric and narrative are already given as separate categories. How the difference is made and how lyric and narrative can be a-priori given as different cannot be accounted for. It is as if god has already proscribed for each what cannot be said in lyric or in narrative. (Deleuze's conceptual problem of difference in itself may be of use, here.)
It seems we can only get so far with Aristotle and run into problems that do not allow us to get to making and thinking narrative in the first place, so to speak. So, as if from a new beginning narrative needs a new thinking. A novel discourse and the collisions of collaged images may be one way, following suggestions taken from Mikhail Bakhtin's dialogic novel discourse and polyvocal or multi-verse ways of writing.
Barbecue is being written as a novel, more so using accidental collage then any set out plan, which is to say the narrative emerges as a narrative image. The images and verse are often written as an encounter with other media forms and technologies. Encounters may be critical and what Barthes may say is a writerly text. Narrative is a circumstance as an occasion and encounter.
(WHERE HAVE YOU BEEN, working title to delete)
...and where have you been; he demands
this is no country, for those
your phobia, your fear, will not let near.
And it was such an easy day dreaming lost in the clouds, idle
and a plot to make oneself a fool's many secrets and is this
what you want. You are wanton; say this again, repeats, yes in
sexy wet dreams where I lay your body bare and command your hand
in a day; and multiple orgasms when we meet in dark moonless air
so the mystery is? Perhaps a thing that is not to be spoken yet,
written; even that is proscribed, etymology is a prevention here
enough to demand silence as a trickster's opening on the babble;
too many words fall and slide over each other, like another trick
walking and drifting into disassociation, skipping over the horrors
and you piss in your pants; that's the fright. Command your feet
they will walk. Sharp teeth, love bite neck to blood metal taste.
On a lover's tongue. A word forbidden and outlaw to write, so
what can be said. Not much it seems. Proscription, lots of noise.
Changes not registering on any meter, that as much can be said
carry a cold dead skin as an absolute leaky container, let it bleed.
Earth quakes and big sea waves wash the borders clean away, so go
far inland to dry dead desert sand and return this sewage to sea.
Big wild fires burn fast across dry forests dying with drought
wild late afternoon storms pelting ice block rain melting in flames.
With his boy tied to his torso by hard rope he jumps into the sea
hoping to save his boyfriend with himself, love is not lost, hope
day after day after day they cling together, sea soaked skins,
take on sweet tastes and out of the hard acid sea, sweet smells.
Monday, May 6, 2013
...and some more dramatic monolog for BBQ
(working title-- horse&buggy)
like riding a horse and buggy
to a gay bar like last year
well I did ride a horse
took him home with me
a double articulated horse
sucking me a red lobster
this guy who could not
quite believe what I was
quit sucking my cock like a girl
guys know how sucking dick's done
and I like to stand straight
you want so much to suck my dick
getting there too late sharing
say goodbye I always told you
be an internet porn star
get beat up and get raped
your cherry for another dick
is focus greasy fingers open
get ready & enter this
life claim deep in the butt
Wednesday, May 1, 2013
2 more sonnets for Barbecue
These two sonnets are some leftovers from the daze induced by being immersed in realist internet writings about gay teens and young college gay males in North America. (If one wishes to understand a society, study the educational institutions; comment attributed to Lacan.)
A sort of collage of colliding images in apparent collapse, is one suggestion; another being always a happy ending and boy falls eternally in love with boy. And the pop music and media soup in which these characters are immersed. Internal rhyme takes up here, also. (and The Eternal Return)
echoes in capacious rooms he feels
deals an inverted claustrophobia
deserted and lost in booms of heavy
artillery fire which then inspire
surrenders without any pretenders
that may turn the weather black
concerning fictions invented rented out
with no copyright claims on vented anger
frizzle hot in drizzle face shape chisel
not even the rain comes down with frowning
crowning a clown in pain not even you will
blame drowning at sea and main frame failure
let it be for now not a cow or bull
computation comes later; a lame game
what does your surname mean; did you ask?
what way, would say an adventure tale
of clan rivals taming these names, fleeing
aristocrats from liberty, revolution
abhors abrupt mere doormats, no dentures
no teeth for the poor, being oppressed
swarming boys exceed limit line equals
mobbing one with feeling, the great unwashed
a daily bath in water for a ruling class
and a path of wrath; without polished,
clout; who has it. A convoy of people march
getting hotter, ballot rigged against hope
selling as dope civil basket religiosity
bracelets on wrists bracket this claim
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